Wu style 54 Form (Competition Form) 16 February 2008
The workshop was given by Don Spargo primarily to teach the 54 form or
competition form to the group. In the event most people had had some
experience of practising the form so it was for some refinement rather
than a new experience.
Don began by talking about the history of the
form and how it had been designed by Grandmaster Wu Kong Yu and senior
members of the Hong Kong Academy between 2000 and 2002. The form is a
subset of the 108 movements of the Wu style Fast Form. This however does
not mean it is just like the 108 movement form but speeded up. The
competition form has its own particular characteristics of smoothness
or continuity of movement and a larger frame than the standard form.
All the Forms are recognisably similar to the 108 standard form, but
different. There are also a few changes in the sequence of the
forms from that in the standard Form.
The aim of creating a competiton form was so that in competitions
judges would have a single form for comparison, irrespective of
where the competitor hails from. Don said the further aim of the workshop
therefore was to introduce the students to the form so they could practise
it should they want to go in for competition. However the form is a
beautiful form to play and is worth learning in its own right as an
enjoyable series of movements, and will extend or expand the students
experience of Wu's style Tai Chi Chuan
The presentation consisted of single form exercises
so that the students could undertand the ethos of the form, and how it
differs from the 108 form they had already learned. There are two pitfalls
when learning and playing the competition Form. Firstly that the movements
revert to the less circular standard 108 form, or that the student thinks
that by merely doing it faster that continuity of movement is achieved,
thereby forgetting the essential style of the forms.
After the single form exercises
the class worked through the sequence of the Forms from beginning to end
going through each one in some detail. There were recaps of sequences of forms
so that the whole form was gradually built up into the whole sequence.
It was also useful to have big screen projection facilities available so we could
see how the Forms were presented on the tutorial DVD and
compare the classes attempts with those of Master Wu Kwong Yu.
The class ended with the whole class going through the entire 54 form
in a slightly longer time than is normally recommended for competition(5 -
6 minutes) however for a first time for some it was a notable
achievment.